Monday, January 21, 2008

013 - Asking Hands Counter

Practice asking hands pull/gum sau set with throat chops. After warming up, when your partner goes for the pull, huen sau and then tan sau strike like in lesson 012.

Variation: Let them pull your hand to execute the chop, which you counter with a wu sau. As they go to pull your wu sau, huen sau and strike like in lesson 012.

012 - Tan Sau/Tan Sau Strike drill

Stand in forward stance with your guard up. Cross font hands with your partner. Have your partner push into your hand twice, as if he was going to do an asking hands pull and chop attack. On the second push, Huen Sau with your lead hand so that their push passes by your guard. Then check the hand as it passes the centerline with a tan sau and strike!

011 - Chi Sau and the Wooden Man

The arms of the wooden man are purposefully loose in their sockets. They let you see the different vectors you are using to apply your blocks, grabs, and attacks. By paying close attention to the way you are moving the arms within their sockets, you can tune your responses to various kinds of energy in fighting.

Wednesday, January 16, 2008

010 - Elbow check for underside crossover

When your chi sau partner changes underneath to go from a two-hand facing chi sau to single-hand outside guard, use your freed hand to check their elbow. This will allow you to maintain your line.

009 - Asking Hands

Before walking the bridge, it is useful to judge the intentions of your partner. One way to do this is the feel their motion and react accordingly. This can be a passive experience, where you exert little to no energy into your opponent and just react based on the energy they give you. Then you can also exert slightly into your opponent to find their intent. This is more like active sonar, pinging the partner through touch and pressure. Think of it as "asking" your opponent what their intention is through your contact.

Beware: asking to loudly reveals your intent which they can use against you.

Idea: you can sometimes entice your opponent to answer by applying some pressure to them. Their reaction in stiffness or reaction can become the lever you use to walk the bridge.

Tuesday, December 11, 2007

12 bridges of hung gar

Cribbed from the kung fu magazine forum archivs:

http://forum.kungfumagazine.com/forum/archive/index.php/t-1904.html


View Full Version : 12 bridges of Hung Gar


Giorgio
09-11-2000, 01:19 PM
First of all sorry for my bad english, but I'm an italian hung gar student

can anyone give me some information about the 12 bridges of Hung Gar

thanks in advance

Giorgio

illusionfist
09-11-2000, 03:50 PM
The 12 bridges are (drumroll /infopop/emoticons/icon_smile.gif)

1. Gong Kiu (hard bridge)
2. Yau Kiu (soft bridge)
3. Bik Kiu (squeezing)
4. Jik Kiu (straight, like a fire punch)
5. Fung Kiu (dividing, splitting, separating)
6. Ding Kiu (stability or solidness)
7. Chieun Kiu (connecting movements, inch power bridge)
8. Tai Kiu (lift or support)
9. Lau Kiu (Reserve)
10. Wan Kiu (Expel)
11. Jai Kiu (Control)
12. Deng Kiu (to stop, finalize)

This is my understanding of them so if anybody sees anything wrong, please correct me.

Peace /infopop/emoticons/icon_biggrin.gif


[This message has been edited by illusionfist (edited 09-11-2000).]

LawClansman
09-18-2000, 03:13 PM
Illusionfist is correct but the translation is a little literal.The Chuen (inch) is pertaining to a spot or "point" an inch in diameter.

There is a pairing of the 12 keywords/ bridging actions. It is taught in a poem and they can also be found on the Doy Lun (couplets on the altar) of many Hung Gar schools.

Gong, Yau, do you know how to use them?

Bik, Jik, when crowded I have no choice but to go straight.

Fen, Ding, can you separate the difference and make a decision.

Chun, Tai, Do you pick up the point?

Lau, Wun, ever keeping reserve energy

Jai, Ding, control your self and make up your mind.

Feel free to email me for more info. I don't get to all the boards very often. I am mostly on the Northern Mantis fourm. My web site is
http://www.7starmantis.com

I am working on a few Hung Gar pages and they will be up in a couple of months

Sifu Car

Wednesday, November 28, 2007

008 - The Fence

Some martial artists use the concept of fences to define territories or zones where action is triggered by a person crossing it. The fences, like guards, also have structural setups for likely attacks or counter attacks that will launch once the triggers are tripped.

http://www.5min.com/Video/Martial-Arts---The-Invisible-Fence-6976