12 bridges of hung gar

Cribbed from the kung fu magazine forum archivs:

http://forum.kungfumagazine.com/forum/archive/index.php/t-1904.html

Kung Fu Magazine Forums > Wai Jia: The Kung Fu Forum > Southern Chinese Kung Fu > 12 bridges of Hung Gar

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Giorgio

09-11-2000, 01:19 PM

First of all sorry for my bad english, but I'm an italian hung gar student

can anyone give me some information about the 12 bridges of Hung Gar

thanks in advance

Giorgio

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illusionfist

09-11-2000, 03:50 PM

The 12 bridges are (drumroll /infopop/emoticons/icon_smile.gif)

1. Gong Kiu (hard bridge)
2. Yau Kiu (soft bridge)
3. Bik Kiu (squeezing)
4. Jik Kiu (straight, like a fire punch)
5. Fung Kiu (dividing, splitting, separating)
6. Ding Kiu (stability or solidness)
7. Chieun Kiu (connecting movements, inch power bridge)
8. Tai Kiu (lift or support)
9. Lau Kiu (Reserve)
10. Wan Kiu (Expel)
11. Jai Kiu (Control)
12. Deng Kiu (to stop, finalize)

This is my understanding of them so if anybody sees anything wrong, please correct me.

Peace /infopop/emoticons/icon_biggrin.gif


[This message has been edited by illusionfist (edited 09-11-2000).]

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LawClansman

09-18-2000, 03:13 PM

Illusionfist is correct but the translation is a little literal.The Chuen (inch) is pertaining to a spot or "point" an inch in diameter.

There is a pairing of the 12 keywords/ bridging actions. It is taught in a poem and they can also be found on the Doy Lun (couplets on the altar) of many Hung Gar schools.

Gong, Yau, do you know how to use them?

Bik, Jik, when crowded I have no choice but to go straight.

Fen, Ding, can you separate the difference and make a decision.

Chun, Tai, Do you pick up the point?

Lau, Wun, ever keeping reserve energy

Jai, Ding, control your self and make up your mind.

Feel free to email me for more info. I don't get to all the boards very often. I am mostly on the Northern Mantis fourm. My web site is
http://www.7starmantis.com

I am working on a few Hung Gar pages and they will be up in a couple of months

Sifu Car

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008 - The Fence

Some martial artists use the concept of fences to define territories or zones where action is triggered by a person crossing it. The fences, like guards, also have structural setups for likely attacks or counter attacks that will launch once the triggers are tripped.

http://www.5min.com/Video/Martial-Arts---The-Invisible-Fence-6976

007 - Replace and Attack

Sometimes when you've crossed hands, instead of using a pak sau to blow down their defense and make an opening for your punch to enter, you can instead place the pack sau on their arm to replace the force and not give them the signal that you're moving. Think Indian Jones replacing the golden idol with a bag of sand. They apply pressure, and you just sneakily transfer that pressure to your other hand, freeing your primary hand to attack or maneuver.

006 - Roll off; Don't Collapse

When an attack threatens to collapse your bong sau or tan sau, roll it away without allowing it to get closer to you. Don't collapse the block, don't push it awy, and don't throw it off. Just turn the body and redirect the attack along your circle.

005 - Three Energies

One art. Three kung fu brothers. Three different styles of fighting.

Stanley is classic Hung Gar: his internals are so intense that when he's moving forward, he's unstoppable. It's like he's hydraulic. His way of bridging is very subtle and very sophisticated. He can break your defense, get a leverage advantage, and attack your weak points and while you can see it happening, it's very hard to compensate for it.

Jerome is like change in motion. He soft like water until he decides to hit you. He doesn't muscle you. He takes whatever opening you give him and adapts his fighting immediately. His philosophy is listen just enough so that you know their energy, but don't let them actually get off any techniques. You don't care to see them.

Alix is about maximum sensing and control of position. He feels like he's using strength all the time, but it's more like he's constantly loading his offense with your energy to allow him to spring forward. He doesn't believe in meeting somebody soft--to him it's an opening. He meets you hard and solid, but under that he's still hyper aware and listening. If tai chi is metal wrapped in silk, Alix is spring steel--hard but pliant.

I feel like I have a lot to learn from Alix. Jerome can do that because he sees all. He knows what you're trying to do and bails to compensate and attack on a new angle or whatever. I can't get away with that all the time. I use it in the most primitive way, which is bail when you sense a battle of strength beginning or when you're getting tied up.

Learning Alix's technique will all me to be more discriminating about when to bail and what to do to respond to different attacks.

004 - Gon Sau Tan Sau

When someone pulls down your arm, recover your line by relaxing your arm, then turning in your wrist to bring up a tan sau. Do not pull or push... just rotate and rise to recover your centerline and defense.

003 - Zero Sum Power

Alix's defense is oriented around exactly matching your opponent's force. No matter the distance, do not push or yield because both give your opponent energy they can manipulate. Meet them and cancel or redirect their energy without pushing them away or letting them in to your space. When they are light, you are light. When they are heavy, you are firm. When they are overwhelming, you are redirecting--not collapsing.